世界人居

靜于川流，聆語(yǔ)自然 ——保定乾城 · 錦唐

融景設(shè)計(jì)

     “我一直認(rèn)為葉子是樹的語(yǔ)言：松木善于針砭，相思則一樹的夢(mèng)句，

愛自言自語(yǔ)。那么，我說(shuō)這古樹的薄葉乃哲人語(yǔ)，簡(jiǎn)且深。

其實(shí)，生命到了這種程度，說(shuō)什么都是多余，所以更多時(shí)候，樹是無(wú)言。

那蟬聲在晨光朦朧之中分外輕逸，似遠(yuǎn)似近，又似有似無(wú)。

一段蟬唱之后，自己的心靈也跟著透明澄凈起來(lái)，

有一種“何處惹塵?！钡牧宋?，蟬亦是禪?！?/span>

  ——簡(jiǎn)媜《水問(wèn)》

 The superior good is like water, and the water conservancy is not contested by all things. A door system that is calm but not publicized, trickling but not noisy, and loose but not competitive conveys a quiet vision of the world. The charm of the East is conveyed through a more concise and lighthearted approach, rather than the prosperous red tape of carved beams and painted buildings.

色彩是我們感知情緒的重要元素，因此原本是一條是正兒八經(jīng)的禮制水中的巷道，仿佛有了不一樣的戲劇性，每個(gè)人都能有獨(dú)特的體驗(yàn)，正如陀思妥耶夫斯基在《卡拉馬佐夫兄弟》里寫道：”這個(gè)小城里并沒(méi)有這種具體的小巷，可是有精神上的小巷。它靜秘幽幽，遠(yuǎn)離大庭廣眾，那兒總有妙遇奇情?！?/span>

“ 讓時(shí)光像水一般在身上湍急而過(guò)，而自己只知身在水中，不覺水流。”

——楊絳

"Let time rush through you like water, but you only know that you are in the water, not aware of the current."——Yang Jiang

樹木是大地寫在天空上的詩(shī)——紀(jì)伯倫《沙與沫》

高陽(yáng)，因古地處高河以北，水北為陽(yáng)，蓋因在高河之陽(yáng)也。高為崇，陽(yáng)為日，這表達(dá)了當(dāng)?shù)厝藗儗?duì)于山林河川、陽(yáng)光自然的崇敬之思。化作一處能夠聆泉細(xì)語(yǔ)，落葉浮水面，微風(fēng)惹綠葉的別趣庭院，取名【言葉庭】，日出晨間陽(yáng)光四溢，午后雨露霧氣，傍晚黃昏畫墻，夜晚水面星空映樹，正如顧城所道“我們站在這里，什么都不說(shuō)，就很美好?！?/span>

“我們并沒(méi)有很優(yōu)越的物質(zhì)享受，但是只要有一院子不斷開滿花的樹，和偶爾坐下來(lái)聞一聞花香的閑暇生活就會(huì)變得非常富足了?！?/span>

——席慕蓉

"We don't have very superior material enjoyment, but as long as we have a yard full of trees and occasionally sit down to smell the flowers, our leisure life will become very rich."

                                                                                                                                         —— Xi Murong

山不在高，有仙則靈，水不在深，有龍則靈；也許，我們理想中的生活，并不是沒(méi)有終點(diǎn)的奔跑，不是無(wú)盡的996和PUA，而是尋一方安寧，這與年齡無(wú)關(guān)；村煙裊裊不與世爭(zhēng)，家有院，院有樹，樹下朵朵花蕊襯在流水之上，蟬打鳥鳴，三五好友小酌甚歡，那不正是中國(guó)人骨子里的田園情節(jié)么，還有什么比一份安靜更珍貴？

● 作庭記 ●

后疫情時(shí)代，所有奔跑都放慢了腳步，所謂逐名逐利也在換個(gè)角度看待世界，人們開始重新思考生命的意義，山川有了呼吸的間隙，海河有了凈化的時(shí)間，這個(gè)地球上的一草一木都在以與往不同的姿態(tài)生長(zhǎng)，我們很難再以單一的價(jià)值觀去過(guò)濾世界。一個(gè)項(xiàng)目的建成也變得困難了許多，疫情的影響是持久而連鎖的，這反而變成了一場(chǎng)充滿意外的路途，如何與結(jié)果相處也變長(zhǎng)了一次有趣的體驗(yàn)，生活永遠(yuǎn)不缺少美，只是缺少發(fā)現(xiàn)的眼睛，同理，作為以“紙上談兵”見長(zhǎng)的設(shè)計(jì)師，不被單一價(jià)值束縛，以多種角度去發(fā)覺與發(fā)揚(yáng)生活與美倒是一種新的使命感，正如盧梭在《愛彌兒》里寫道：“做有意義的事情，其本身就是對(duì)生活的享受?！?/span>

In the post epidemic era, all the running has slowed down,  People begin to rethink the meaning of life. There is a breathing gap between mountains and rivers, and there is a time for purification of Haihe River. Every plant and tree on the earth is growing in a different posture in the past. It is difficult for us to filter the world with a single value. The completion of a project has also become more difficult and necessary. The impact of the epidemic is lasting and chain linked. Instead, it has become a journey full of accidents. How to get along with the results has also become an interesting experience. Life never lacks beauty, only the eyes of discovery. Similarly, as a designer who is good at "talking on paper", he should not be bound by a single value and discover and carry forward life and beauty from various anglesIt is a new sense of mission, as Rousseau wrote in Emile: "to do something meaningful is to enjoy life."