世界人居

元宇宙（Metaverse）是利用科技手段進行鏈接與創(chuàng)造的，與現(xiàn)實世界映射與交互的虛擬世界，具備新型社會體系的數(shù)字生活空間。2021年，被認為是元宇宙元年。基于區(qū)塊鏈和人工智能技術，元宇宙將進一步實現(xiàn)時空拓展性與經(jīng)濟增值性，成為下一代互聯(lián)網(wǎng)應用和社會形態(tài)。在元宇宙里，我們力求實現(xiàn)在社交系統(tǒng)、生產(chǎn)系統(tǒng)、經(jīng)濟系統(tǒng)上虛實共生，每個用戶可以進行世界編輯、內(nèi)容生產(chǎn)和數(shù)字資產(chǎn)自所有。

The Metaverse is a virtual or digital space that maps and intertwines with the real world, a digital living space with a new ecosystem. Based on blockchain and artificial intelligence technology, Metaverse will further realize space-time expansion and economic value-added, and become the next generation of Internet applications and social forms. In the metaverse, we strive to realize the symbiosis of the virtual and the real in the social system, production system, and economic system, and each user can edit the world, produce content, and own digital assets.

在內(nèi)容創(chuàng)作層面，隨著技術發(fā)展，在虛擬世界里，越來越多設計可能性可以被探討。我們已經(jīng)正在建立元宇宙里面各種場景，不僅僅在于尋找體驗，也在于探索與真實世界交互映射可能性，將實體空間虛擬呈現(xiàn)同時也將虛擬空間實體功能化?，F(xiàn)如今網(wǎng)絡速度或者服務器運算速度似乎已經(jīng)逐步取代重力因素而成為制約元宇宙內(nèi)容設計重要條件（當然，技術問題已經(jīng)被逐步解決），因為互動即時性更強影響著體驗真實感。

For the artists and creators, with the development of technology, more design possibilities can be explored in the virtual world. We are already building various scenarios in the metaverse, not only to find experiences but also to explore the possibility of intertwining with the real world, to virtualize the physical space, and functionalize the virtual space.

在現(xiàn)實生活中，隨著生產(chǎn)發(fā)展，定制化程度不斷提高，我們每個人都越來越接近一個機會去發(fā)現(xiàn)真正屬于自己的東西。與此同時，我們的生產(chǎn)生活也相應發(fā)生著變化，溝通變得更加便捷，我們有更多的方式用更多不同的媒介表達自己，我們也受到更多信息或者可能性的影響，面臨著更多選擇。在元宇宙里，我們每個人都將可以擁有一個平行世界，構(gòu)建屬于自己的上海，屬于自己的東京，屬于自己的巴黎。在元宇宙里，如果設計主權被進一步交給個人，千人千面，千面千城，我們將如何定義自己的城市，我們又將如何在這座城市里探尋自己。我將會遇見什么樣的朋友，我們將如何一起分享快樂。我們將如何創(chuàng)造，我們將怎樣消費。我們是否丟棄，我們?nèi)绾伪４妗Ｎ覀儗⒃鯓有骨楦?，我們要如何寄托期望?/p>

As production develops and customization continues to improve, each of us is getting closer to an opportunity to discover what truly belongs to us. At the same time, our lives have also changed accordingly. Communication has become more convenient. We have different ways to express ourselves through various media. We are also influenced by more information and face more choices. In the metaverse, each of us will be able to have a parallel world, build our own Shanghai, our own Tokyo, and our own Paris. In the metaverse, if design sovereignty is further handed over to individuals, thousands of people, thousands of faces and thousands of cities, how will we define our city, and how will we explore ourselves in this city? What kind of friends will I meet and how will we share the joy together? How will we create and how will we consume? Do we discard and how do we save? How will we vent our emotions, and how will we place our expectations?

元宇宙似乎給我們帶來了一個理想的契機，在這里，我們可以開始虛擬現(xiàn)實，我們甚至可以開始將探索建構(gòu)在虛擬之上。當一切設想即將可以成為一種真實體驗，我們也需要不斷追問，到底真實來自于哪里。

The Metaverse seems to offer us an ideal opportunity where we can start simulating reality, and we can even start to explore on top of the virtual. When all assumptions are about to become a real experience, we also need to keep asking,：“where does the truth come from?”

發(fā)起單位：英國皇家建筑師學會RIBA、世界建筑科技創(chuàng)新大會WATIC

主辦單位：RIBA&REMAC TY設計科技智庫

承辦單位：銳建協(xié)商務信息咨詢（上海）有限公司

協(xié)辦單位：廣東天元建筑設計有限公司（睿住天元）

聯(lián)合單位：Alibaba Design空間設計中心、芒果智娛、億歐EqualOcean、BSI英國標準協(xié)會、設計深圳、上海平行宇宙網(wǎng)絡科技有限公司、ShanghaiBIM、普鈦智庫，更多單位持續(xù)邀請中...

企業(yè)及政府支持：上海臨港經(jīng)濟發(fā)展（集團）有限公司、?？诮瓥|新區(qū)管理局、成都天府新區(qū)公園城市投資發(fā)展有限公司，更多單位持續(xù)邀請中...

院校支持：UCL，AA School，西交利物浦大學，寧波諾丁漢大學，清華大學，東南大學，同濟大學，哈爾濱工業(yè)大學，華南理工大學，湖南大學，西安建筑科技大學，重慶大學，上海交通大學，深圳大學，更多院校持續(xù)邀請中...

媒體支持：元宇宙頭條網(wǎng)、加密之家、元宇宙云課堂、 建筑中國、ArchDaily、地建師、建筑檔案、環(huán)球建筑、造么、世界人居網(wǎng)等多家知名專業(yè)媒體聯(lián)名發(fā)布，更多媒體持續(xù)邀請中...

Founder: RIBA, World Architecture Technology Innovation Conference

Organizer: RIBA&REMAC TY (Guangzhou)Cityroom & Design Thinktank

Organizer: RIBA Business Information Consulting (Shanghai) Co., Ltd.

Co-organizer: REMAC TY

Co- Creative: Alibaba Design,   Shanghai Mangoo Intelligent Joy Tech.co.ltd, EqualOcean, BSI, Design Shenzhen,   Shanghai Parallel Universe Network Technology Co., Ltd., ShanghaiBIM, Puti Think Tank,   and more units continue to invite...

Enterprise and Government Support:Shanghai Lingang Economic Development (Group) Co., Ltd., Haikou Jiangdong New Area Administration, Chengdu Tianfu New Area Park City Investment Development Co.ltd, and more units continue to invite...

Supporting School: UCL, AA School, Xi'an Jiaotong-Liverpool University, University of Nottingham Ningbo, Tsinghua University, Southeast University, Tongji University, Harbin Institute of Technology, South China University of Technology, Hunan University, Xi'an University of Architecture and Technology, Chongqing University, Shanghai Jiaotong University, Shenzhen University, and more schools continue to invite...

Cooperative Media: Meta-First, METAHOME, Metaverse Cloud Classroom, AR China, ArchDaily, DJSER, ARCH-ive, Archiglobal, ZaomeDesign, and many other well-known professional media jointly released, more media continue to invite...

2022 RIBA 100位元宇宙創(chuàng)作者：

獲獎證書、作品展覽及論壇推廣

2022 RIBA 100 Young Creator in Metaverse: Certificate of Award, Exhibition of Works, and Promotion Opportunities

“2022 RIBA 十大元宇宙城市作品”：

獲獎獎杯、作品展覽及論壇推廣、視頻推廣、NFT合作推薦

2022 RIBA 10 Best City in Metaverse: Trophies, works exhibition and forum promotion, video promotion, NFT cooperation recommendation

本次競賽項目由RIBA-銳建協(xié)商務信息咨詢（上海）有限公司發(fā)起及支持，RIBA&REMAC TY設計科技智庫發(fā)布，力求為每一個現(xiàn)實城市在元宇宙開拓新空間，探索這座城市在數(shù)字世界文化延展可能性，更進一步起到從現(xiàn)實與虛擬兩個維度宣傳“我的城市”的效果，在此向全球藝術家和設計師征集未來城市以及城市文化生活相關概念設計方案，設計本身將必須從意欲表達的城市文化與內(nèi)涵出發(fā)。頌贊我們所熱愛的城市，同時放眼未來，體現(xiàn)當代年輕設計師的前瞻性及創(chuàng)造力，并通過線上線下多維宣傳，提升在大設計產(chǎn)業(yè)鏈人群中的關注度。

Led by REMAC TY and supported by RIBA via RIBA Business Information Consulting (Shanghai) Co., Ltd. this festival is committed to open up a new space for every existing city in the metaverse, exploring the possibility of cultural extension in the digital world, and further promoting "My City" from both reality and virtuality. This project solicits conceptual design proposals related to future cities and urban cultural life from artists and designers around the world. Praise the city we love, and at the same time look to the future, reflect the forward-looking and creativity of contemporary young designers, and increase the attention of the crowd in the large design industry chain through online and offline publicity.

此次元宇宙設計競賽，將被分為三個主題版塊，包括：

The ideas festival   will feature three themes, including:

城市身份：在元宇宙，為現(xiàn)實城市創(chuàng)作一個身份標識，可以是某一個具體場所，如紀念碑、公園或者廣場，也可以是某一類視覺元素，具有紀念性、象征性意義，甚至可以是某一系列物件或者服飾或者角色設定，在身份定義的同時，為居民提供精神寄托，尋求認同與歸屬，所有設計必須與城市場景結(jié)合。也可以基于空間結(jié)構(gòu)或者體驗方式，設計構(gòu)思一整座城市。

The ID: In the metaverse, create an identity for an existing city, which can be a specific place, such as a monument, park, or square, or a certain type of visual element, which has commemorative and symbolic meanings. It can even be a series of objects or clothing or character settings. In order to bring higher recognizability to the city and provide spiritual sustenance for residents to seek identity and belonging, all designs must be integrated with the urban scene. It is also possible to design and conceive an entire city based on the spatial topology or the way of experience.

公社：在元宇宙里，探尋創(chuàng)造價值和分享價值的方式，前提是基于現(xiàn)有一座城市文化生活表達，體現(xiàn)“我”在這座城市里面，如何創(chuàng)造和探索價值，如何分享價值。作品可以是一棟建筑，比如綜合生產(chǎn)空間，研究虛擬創(chuàng)作模式，可以是一座商場或者展館，研究虛擬分享模式。

Commune: In the metaverse, propose ways to create and share value. The premise is to express how to create and explore value and how to share value based on the existing cultural life of a city. The work can be an industrial building, such as a comprehensive production facility, which can be used to study the virtual creation mode, or a shopping mall or exhibition hall, which can study the virtual sharing mode.

我的生活：在元宇宙里，“我”將以什么方式存在，“我”的個人身份可以發(fā)生什么改變，當然，這一切的探討，也需要基于“我”在現(xiàn)在這座城市里面實際存在狀態(tài)相關聯(lián)。作品可以是角色設計（角色設計必須與城市場景結(jié)合呈現(xiàn)），也可以是住宅，用于表達“我”的生活方式。

My life: How will I exist in the metaverse and how can my personal identity change? All of these discussions also need to be based on my actual state of existence in the current city. The work can be character design (character design must be presented in conjunction with urban scenes), or residential, to express my life style.

參賽者從任意現(xiàn)實城市出發(fā)，其最終設計結(jié)果為突出該現(xiàn)實城市內(nèi)在特點和挖掘城市人文內(nèi)涵為基準，并在超真實境域進行延展。作品不可以完全脫離對現(xiàn)實城市現(xiàn)有內(nèi)在文化表達，但是延展程度可以由設計師決定，進行充分發(fā)揮，可以在數(shù)字虛擬世界里，充分銷解現(xiàn)實物理條件限制。

Participants start from any existing city, and the final design result should be based on highlighting the inherent characteristics of the real city and excavating the humanistic connotation of the city, and extend it in a hyper-real environment. The works cannot be completely separated from the existing intrinsic cultural expression of the real city, but the degree of extension can be determined by the designer. For example, the designer can reduce the restrictions of real physical conditions in the digital virtual world.

1.充分挖掘現(xiàn)實城市文化內(nèi)涵并進一步在超真實領域進行充分發(fā)揮，構(gòu)建鮮明城市特色，城市標識，城市內(nèi)涵，場所精神，城市美學，是本次設計的基本原則；

.The basic principle of this ideas festival is to fully excavate the cultural connotation of the existing city and give full play to it in the field of virtual reality, so as to construct distinct urban characteristics, urban identity, urban connotation, place spirit, and urban aesthetics;

2.在數(shù)字虛擬世界里，充分利用數(shù)字技術，結(jié)合內(nèi)在人文基底，探索人與人、人與城市之間的社會關系是本次設計的主要目的；

. The main purpose of this ideas festival   is to explore the social relationship between people, residents and cities in the virtual world, making full use of digital technology and combining the inherent humanistic foundation;

3.在數(shù)字虛擬世界里，充分延展去物質(zhì)化內(nèi)涵，探索人與自然、城市與自然之間的關系是本次設計的概念延續(xù)

.The concept extension of this ideas festival   is to fully explore the connotation of dematerialization and the relationship between man and nature, city and nature in the digital virtual world

4.突出元宇宙我的未來城市主題

設計方法不限，探索從應用場景到具體物品實現(xiàn)等各種方面，物品實現(xiàn)或者角色設計需要與城市主題場景結(jié)合

.Highlight the theme of My Future City in Metaverse

There are no restrictions on design methods in this ideas festival. Designers can explore various aspects from application scenarios to specific item realization. Item realization or character design needs to be combined with urban theme scenes.

Studio Linfors (Clouds Architecture Office), Cloud Skippers, 2009. ?Studio Lindfors.

Ridley Scott, Blade Runner, 1982. ? Warner Bros 2014.

Heinz Schulz-Neudamm, (1898-1969): Metropolis, 1926. New York, Museum of Modern Art (MoMA). Lithograph, printed in colour, 83 X 36 1/2’ (210.8 x 92.7cm.). Gift of Universum Film.

Otomo, Katsuhiro, Akira – Destruction of Neo-Tokyo, 1982-1990, AKIRA ? Katsuhiro Otomo / MASH ? ROOM / Kodansha .Ltd.　

Oscar Newman, Nuke Proof Manhattan, Esquire Magazine, December 1969. ? Courtesy of Kopper Newman.

Kenneth Garland, David Jefferis, Future Cities, Usborne Books, 1979. Reproduced from Future Cities by permission of Usborne Publishing, 83-85 Saffron Hill,London EC1N 8RT, UK. www.usborne.com. Copyright ? 1979 Usborne Publishing Ltd.

ONYX, ‘Parasec City’, Signature Micha?l B. Hinge, 1968-1970, Sérigraphie surpapier, 73.5 x 58.5 cm, Photographie : Fran?ois Lauginie, Collection FRAC Centre, Orléans.

Shimizu Corporation, Green Float, 2004. ? Image Courtesy of Shimizu Corporation, 2014.

Claire Rickert, Drop City, Photograph, 1965. Courtesy, Claire Rickert.

Arthur Quarmby, ‘Corn on the Cob’, 1962, Tirage sur papier, 42 x 71 cm, Photographie: Fran?ois Lauginie, Collection FRAC Centre, Orléans.

Friedman, Yona (b. 1923): Spatial City, project, Aerial perspective, 1958.New York, Museum of Modern Art (MoMA). Ink on tracing paper, 8 3/8 x 10 3/4’ (21.3 x 27.3cm). Gift of the Howard Gillman Foundation.

Haus-Rucker-Co (Austria, established 1967-1992): Palmtree Island (Oasis) Project, New York, New York. Perspective, 1971. New York, Museum of Modern Art (MoMA). Cut-and-pasted printed paper with gouache and graphite and cutand- pasted painted paper on silver gelatin photograph on board, 19 3/4 x 29 5/8” (50.2x 75.2 cm).Wendy Evans Joseph Purchase Fund.

Zaha Hadid Architects, One North Masterplan, Singapore, 2001-2021. Courtesy of Zaha Hadid Architects.

Environment Agency, Geomatics Group, Olympic Park, Point Cloud Data, October 2013. ? Environment Agency copyright 2014. All rights reserved.

CRAB Studio (Peter Cook, Gavin Robotham, Lorene Faure), Soak City, East London, 2004.

Plasmastudio & Groundlab, Flowering Gardens, Longgang City, Shenzhen, China 2011. ? Plasmastudio & Groundlab.

Matsys: Andrew Kudless (Design), Nenad Katic (Visualization), Tan Nguyen, Pia-Jacqlyn Malinis, Jafe Meltesen-Lee, Benjamin Barragan (Model), Sietch, Nervada, 2009.

R&Sie(n): Fran?ois Roche, Stéphanie Lavaux, Jean Navarro & Beno?t Durandin, I’ve Heard About It, 2005.

必須提交文件：

Must Include:

提交文件包括方案說明圖版和方案呈現(xiàn)源文件，說明圖版要求如下：

所有參賽者必須將方案整體呈現(xiàn)于不少于 1 張 A2縱向圖版上（上限3張），150DPI，標注可讀（頁邊距10mm），包含：

-簡短說明文字：不超過1200字

-創(chuàng)作內(nèi)容圖片

-報名編號：位于圖紙右上角，字體Arial，字號20

方案呈現(xiàn)源文件（根據(jù)作品形式選擇）：

1. MP4格式動畫，自洽循環(huán)文件（第一幀與最后一幀重合），時常不超過半分鐘，1：1畫幅，分辨率不小于1500x1500/2K；

2. GIF源文件；

3. PEG格式圖片文件，尺寸不小于3000x3000像素。

The submission must includes the schematic description board and the presentation file, and the requirements for the description board are as follows:

All contestants must present the scheme as a whole on A2 vertical layout (up to 3 boards), 150DPI, marked readable (margin 10mm), including:

-description text: less than 1200 words

-design description drawings and renders

-Registration number: located in the upper right corner of the drawing, font Arial, font size 20

The presentation file (format selected according to the work):

1. MP4, animation loop file (the first frame coincides with the last frame), less than half a minute, 1:1 frame, resolution should be 1500x1500/2K at least

2. GIF file

3. JPEG format picture file, larger than 3000x3000 pixel.

選擇提交文件：

Optional Files:

參賽者可以根據(jù)創(chuàng)作表達需要，提交以下（不限于）文件：

-說明動畫（按具體作品需要）：MP4格式，1080分辨率，3到5分鐘

-模型源文件（FBX或者OBJ格式）

參賽方案自行命名，命名盡量簡潔，請按照“報名號-方案名稱”格式命名文件；

作品提交語言：中英雙語或英語；

所有圖紙和文字說明在線提交時，需將作品放置在主辦方提供邊框內(nèi)；

封面：作品需上傳封面，封面為作品的主視覺，尺寸為1045*654，72dpi，2MB以內(nèi).

所有圖紙和文字說明中，請勿透露參賽者身份信息（如姓名、學校/機構(gòu)名稱等），如有違反，將取消參賽資格。

所有獲獎作品，將需要提交源文件以便于策展宣傳需要。

Contestants may submit the following (not limited to) documents according to their needs:

-descriptinal animation: MP4 format, 1080p, within 3 to 5 minutes, less than 50mb

-Model file (FBX or OBJ format, including texture file),

Please name the files as concisely as possible and name the files according to the format of "Application No.-Program Name".

Language of submission: Chinese and English, or English only.

All drawings and text descriptions must be placed within the border provided by the organizer when submitting online.

Cover: The cover must be uploaded as the main visual of the work, with a size of 1045*654, 72dpi, within 2MB.

In all drawings and text descriptions, please do not disclose the participant's identity information (such as name, school/organization name, etc.), and any violation will result in disqualification.

All winning entries will be required to submit source files for curatorial promotion purposes.

參賽者要求

Participants

1.本次大賽致力于扶持年輕設計師，參賽者可以是個人或者團隊；

2. 任何設計、藝術相關學科背景的從業(yè)人員、學生、愛好者均可參加，包括但不限于，產(chǎn)品設計、插畫、服裝設計、音樂、交互、建筑、公共藝術、室內(nèi)、景觀等專業(yè)設計師以及設計愛好者；

3.每個作品最多能提交一個競賽類別，提交其他類別需要重新創(chuàng)作作品；

4.團隊成員須在報名表中標明，團隊成員變動需與主辦方聯(lián)系進行郵件聲明。

1. This ideas festival is dedicated to supporting young designers. Participants can be individuals or teams;

2. Practitioners, students and enthusiasts with any design or art-related discipline background can participate, including but not limited to professional designers such as product design, illustration, fashion design, music, interaction, architecture, public art, interior, landscape, etc. and design lovers;

3. Each work can be submitted to one category at most, other categories need to be re-created;

4. Team members must be indicated in the registration form. Changes in team members must be reported to the organizer by email.

時間表

Schedule

競賽發(fā)布 7月12日

競賽報名表及作品提交 7月12日- 8月30日

競賽評審 9月1日

競賽結(jié)果發(fā)布 9月5日

頒獎及相關活動 另行通知

Publish: July 12

Submission’s deadline: August 30th

Results published September 5

Awards and related activities to be announced later

提交報名表及作品，發(fā)送至競賽指定郵箱

design content should be submitted with the registration form, and email to the address below:

Umi.lyu@riba.org

RIBAInternational@riba.org

作品請以網(wǎng)盤鏈接形式上傳，以確保含包括報名表在內(nèi)郵件不超過20MB.

In order to ensure that the email including the registration form does not exceed 20MB, please upload your works to the cloud drive and append the link to the submission email.

報名表下載鏈接

REGISTRATION CONFIRMATION LETTER Download link:

Baidu：https://pan.baidu.com/s/1J99o1bIBQ6B_klCCOgaD2Q?pwd=io5r

             password: io5r

Dropbox：https://www.dropbox.com/scl/fi/up1owfmswdhvi8m4jrzct/MY-FUTURE-CITY-RIBA-_.docx?dl=0&rlkey=84yilpvonkqi1or3z6hk4hhpv

總策劃：Umi

命題編輯：Yunyu

主視覺設計：Yunyu

AI人物設計：Sarah

文字及溝通：Shanshan

設計及發(fā)布：Drew

關于RIBA

擁有188年歷史的英國皇家建筑師學會，于1834年作為英國建筑師學會成立，1837年英國建筑師學會被授予皇家金獎，1848年英國建筑師學會被維多利亞女王授予皇家稱謂，至今在世界范圍150個國家擁有超過55000位優(yōu)質(zhì)會員及建筑社群。RIBA始終堅守推動世界建筑行業(yè)發(fā)展的使命，2020年1月RIBA在中國注冊WFOE，并全面開展工作，助力中國建筑行業(yè)和建筑從業(yè)者的國際化、高水平發(fā)展，于世界舞臺頌贊中國建筑家及優(yōu)秀建筑。

關于REAMC TY

廣東天元建筑設計有限公司（睿住天元REMAC TY）作為知名設計科技綜合服務商，是國家高新科技企業(yè)、廣東省裝配式建筑產(chǎn)業(yè)基地，專注設計科技產(chǎn)業(yè)，打造建筑全生命周期數(shù)字化設計，推出多個數(shù)字化設計應用場景模型。

企業(yè)擁有建筑設計甲級、規(guī)劃乙級資、園林乙級，業(yè)務涵蓋城市規(guī)劃、建筑、景觀、室內(nèi)、土建施工圖、裝配式&BIM、智能化等專業(yè)設計，并布局元宇宙場景打造。

通過聯(lián)合英國皇家建筑師學會（RIBA）成立了設計科技國際城市智庫，聚焦數(shù)字化技術、人工智能、智能建造，元宇宙設計場景等，打造科技未來生活范式。已榮獲WATIC世界建筑科技創(chuàng)新引領獎-最佳建筑科技企業(yè)、中國最具期待智慧價值建筑科技企業(yè)。